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Blantika: Multidisciplinary Journal Volume 2, Number 6, April, 2024 p-ISSN 2987-758x e-ISSN 2985-4199 |
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PERSONA DEICSIS IN THE NOVEL MERINDU BAGINDA NABI WORKS OF HABIBURRAHMAN EL
SHIRAZY A REVIEW OF PRAGMATICS Indah
Fauziah, Hasnah Faizah, Charlina Department of Indonesian Language and Literature Education, Riau
University, Indonesia E-mail: indah.fauziah0587@student.unri.ac.id |
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ABSTRACT Merindu
Baginda Nabi is a novel by Habiburrahman
El Shirazy which contains various forms of deixis
in every speech event made by the perpetrator or character of the story. This
research aims to describe the form and function of persona deixis in the novel
Merindu Baginda Nabi by Habiburrahman
El Shirazy. The method used in this research is
descriptive qualitative. The data collection technique used was note-taking.
The data analysis technique in this research uses descriptive techniques. The
research results show that the novel Merindu Baginda
Nabi by Habiburrahman El Shirazy
contains various forms of persona deixis, namely: singular and plural first
person deixis, singular and plural second person deixis, and singular and
plural third person deixis. The singular first person deixis, namely saya, aku, -ku, and ku-,
was identified in 71 data, while the plural first person deixis, namely kita, kami, and kami semua, was identified in 31 data. The singular second
person deixis, namely kamu, kau, and
-mu was identified in 45 data, while the plural second person
deixis, namely kalian, was identified in 10 data. The singular third person
deixis, namely dia, beliau,
ia, and -nya
was identified in 31 data, while the plural third person deixis, namely mereka was identified in 9 data. The functions of persona
deixis are: 40 identified referential functions, 102 identified emotive
functions, and 55 identified conative functions. The novel Merindu Baginda Nabi by Habiburrahman
El Shirazy predominantly uses the form of first
person singular deixis and the function of personal deixis is in the form of
an emotive function because the author tends to write speech that has the
role of the speaker and focuses more on the feelings or attitudes of the
speaker in his speech. Keywords: Persona Deixis; Novel; Pragmatics |
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This work is licensed under a Creative
Commons Attribution-ShareAlike 4.0 International |
INTRODUCTION
Humans and language
become a unity that cannot be separated from one another. Relations between
humans will run smoothly if there is a means of communication between
individuals and other individuals. Language is a medium used by humans to
communicate.
Language as a means of
communication can be used in the form of direct or spoken communication and
indirect or written communication. Language as a means of indirect or written
communication in its original form can be realized in prose literary works, such
as novels, fairy tales, folk tales and short stories. In reality, the various
social views of people's lives that are built in literary works are visualized
through a series of words, phrases, clauses, sentences, paragraphs, and then
become a whole discourse. In other words, discourse or text is a form of
indirect communication between the writer as speaker and readers who can be
positioned as interlocutors or speech partners.
Communication will be
created well if the target language used is appropriate, meaning that the
language is used in accordance with the conditions and situation of the speaker
and the characteristics of the speaker's implementation. This of course really
depends on the determining factors in the language act, namely the interlocutor
or interlocutor, the speaker's goals, the problem being discussed, and the
situation. This use of language is called pragmatics.
Pragmatics examines
four things, namely deixis, presupposition or presupposition, speech acts, and
conversational implicature. According to Levinson in Yuniarti
(2014: 226) pragmatics is the science of language use or the study of language
and a functional perspective that explains aspects of language structure by
referring to non-language influences and causes. Yule in Yusri (2016:3) states
that pragmatics is a science that studies the meaning communicated by speakers
and interpreted or translated by readers and listeners. According to Purwa in Surastina (2011:6)
pragmatics is the study or study of all aspects of meaning that are not covered
in semantic theory, meaning meaning after deducting
semantics. Pragmatics examines all human behavior, especially in relation to
signs and symbols. Pragmatics focuses on the verbal way of behaving in the
overall situation of sign giving and receiving signs. According to Suryanti (2020:11), pragmatics is a branch of linguistics
that studies the structure of language externally, namely how linguistic units
are used in communication. Thus, pragmatics is a science that studies the
meaning of a communication event between a speaker and a speech partner in an
external language context.
One of the studies in
pragmatics is deixis. According to Yule in Maharani & Suyata
(2019:202) the term deixis comes from Greek, which is one of the basic things
we do with speech or speech. Deixis is a function of indicating something
outside of language or words that refers to time, person and place in a speech
(Haryanta, 2012:46). Deixis is a construction whose
reference can only be interpreted by paying attention to the situation of the
conversation. A word can be said to be deictic if its reference moves or
changes depending on who is the speaker or depending on when and where the word
is said (Charlina & Sinaga, 2007:62). Thus, deixis is an observation of the
meaning of a language which can be known when it occurs in language events
which are influenced by the context of the conversation which refers to the
speaker's situation.
The phenomenon of
deixis is the clearest way to describe the relationship between language and
context in the structure of the language itself (Charlina & Sinaga,
2007:61). The meaning of deixis can be known if we also know who, where and
when the word was said. So the center of deictic orientation is the speaker.
According to Charlina & Sinaga (2007:62) deixis is divided into five,
namely (1) persona deixis, (2) place deixis, (3) time deixis, (4) discourse
deixis, and (5) social deixis. In this research, one deixis will be discussed,
namely persona deixis. According to Alwi et al. (2010:256) persona deixis is a
pronoun that refers to a person or self. Person deixis is deixis that is
directly realized in the grammatical category of persona (person), being first
person, second person and third person (Suryanti,
2020:29). In persona deixis, the criteria are the role of the actor, namely the
role of speaker (first person), listener (second person), and the person being
talked about is in the third person. The right way to find out personal deixis
is to use pronominals (personal pronouns), such as the first person singular
pronouns saya, aku, daku, ku-,
and -ku
with the first person plural pronouns kami and kita. The second person singular pronouns engkau, kamu, anda, dikau, kau, and -mu with the second
person plural pronouns kalian, anda sekalian,
kamu sekalian, and engkau sekalian. Furthermore, for the third person singular
pronouns ia, dia, beliau, -nya with the third person
plural pronoun mereka (Resviya,
2022:15). Persona deixis can be understood through the use of personal
pronouns.
Understanding personal
deixis can be done through analysis or research, both in written and oral form.
One form of writing is a type of literary work in the form of a novel. The
novel is a form of prose which is essentially a long form of story, involving
many characters with their respective characters and is a chain of events that
are related to human life (Rahayu, 2014: 45). A novel is a discourse in order
to give a message or mandate, depict the plot, characters, setting, and various
other intrinsic elements to the reader using written language as the medium.
Novels generally contain characters and their characters, as well as their
language in everyday life which is very sensitive to sociohistorical changes
which makes novels the most social or sociological genre (Ratna in Rahayu,
2014:45). A novel is a literary work that gives rise to many utterances or
conversations in it. These speech events are carried out by the story
characters. The utterances made by the characters in the story often give rise
to the use of deixis, including persona deixis. Reading novels helps readers
improve vocabulary mastery and language skills. In the novel, readers will
discuss various forms of words, expressions, and sentence structures used by
the author to describe the characters, setting, and plot of the story. By
paying attention to the use of language in novels, readers can enjoy their
vocabulary and understand the use of language in various contexts.
Apart from that, the
use of deixis in novels is seen as different and has its own characteristics.
This is as stated by Santo (2015: 198) that the use of deixis in novels has characteristics
that are thought to be different from the use of deixis in other contexts.
The novel chosen in
this research is the novel Merindu Baginda Nabi by Habiburrahman El Shirazy. The
selection of novels is based on the completeness of research data related to
the focus of the study. The completeness of the data in a study will greatly
influence the breadth and depth of interpretation of the focus of the study,
which in this case is the form and function of personal deixis.
The novel Merindu Baginda Nabi is a novel written by the famous novelist, Habiburrahman El Shirazy. The
novel tells the story of a woman who was once a found child who was eventually
raised by parents who really loved her, making the child a filial and
accomplished child. Even though in his life there are some people who don't
like him. The story of the novel leads to longing for the Prophet, until at the
end of the story this longing becomes a reality, namely by visiting the tomb of
the Prophet. The novel story which has the message that every kindness will be
rewarded with kindness and vice versa is very interesting to read and study. In
the novel, the language written is very closely related to the designation of
people, it is found that there is the use of personal deixis with various
personal pronouns. Thus, the speaker, listener, and those being discussed in
the novel have a reference to the role of actor or participant in the concept
of persona deixis, especially as contained in the novel Merindu Baginda Nabi by Habiburrahman El Shirazy.
RESEARCH METHODS
This research uses a qualitative
research approach. The method used in this research is descriptive qualitative.
This research describes the form and function of persona deixis through
pragmatic study analysis. The data collection technique used was note-taking.
First, the researcher read the novel Merindu Baginda
Nabi by Habiburrahman El Shirazy
carefully, then the researcher recorded the data containing the form and
function of persona deixis. The data analysis technique in this research uses
descriptive techniques, namely describing research data based on textual facts.
RESULTS
AND DISCUSSION
RESULTS
The
Form of Persona Deixis in the Novel Merindu Baginda
Nabi by Habiburrahman El Shirazy
The persona deixis found in the novel Merindu Baginda
Nabi by Habiburrahman El Shirazy
is classified into three parts, namely first, second and third persona. Apart
from that, these three parts are further divided into two parts, namely
singular and plural, so that overall it can be said that persona deixis
consists of six forms. The six forms include singular first person deixis,
plural first person deixis, singular second person deixis, plural second person
deixis, singular third person deixis, and plural third person deixis.
First Person Singular
Deixis
The first person
singular deictic form found in the novel is the deictic form saya, aku, -ku, and
ku-. Below we will sequentially explain the findings
of the forms of first person singular deixis found in the novel.
(1)
Saya tidak
mungkin meninggalkan anak-anak yatim itu. (Shirazy, 2018: 8).
(2)
Nggak mengharap, cuma aku tahu siapa Mustain sejak kecil. (Shirazy, 2018: 15).
(3)
Maafkan diriku, Fifi. Tapi jangan khawatir, jika Tuhan menghendaki, tentu sangat mudah bagi-Nya untuk mempertemukan kita kembali. (Shirazy, 2018: 22).
(4)
Sudah kuduga, kau akan menjawab seperti itu. Sebentar papi
dan mami mau bicara. (Shirazy, 2018: 22).
In
utterance (1), the singular first person deictic form saya
is found. Saya Deixis in data (1) refers to the character Rifa. In the
context of data (1), the character Rifa is giving an answer to her three
friends that she cannot possibly leave the orphans at her father's orphanage to
study abroad.
In
utterance (2), the singular first person deictic form aku is found. Aku
deixis refers to the character Pak Nur. Data context (2) describes the ongoing
communication between the characters Pak Nur and Mrs
Salamah. The character Mr. Nur responded to Mrs. Salamah's question regarding
Haji Mustain's hope of providing food. Pak Nur's character does not expect to
be provided with food, but he has known who Mustain is since childhood.
Furthermore,
in data (3), the singular first person deictic form -ku
is found. The deixis -ku in the word "diriku" refers to the character Rifa. Data (3)
describes Rifa's apology to Fifi or Fiona, her full name, who was unable to
accept the offer to continue studying with her. Rifa's character also stated
that if God wanted, it would be easy for Him to bring them together again.
First
person singular deixis ku- is also
found in data (4). Deixis ku- in data
(4) is included in the category of first person singular because it is a form
of person that is attached to the left. The speaker in data (4) is Fiona,
Rifa's friend who comes from San Jose. The deixis ku-
in the word kuduga is Fiona's estimate of the
answer given by Rifa regarding the offer to continue studying with her. And
immediately Fiona's telephone line was transferred to her father and mother who
wanted to talk to Rifa.
Plural
First Person Deixis
The
plural first person deictic forms found in the novel kita,
kami, and kami semua. The following is
data that illustrates the use of plural first person deixis in the novel.
(5)
Biasa saja. Sama dengan kita, ada yang pinter ada yang bloon juga, jawab Rifa. (Shirazy, 2018: 33).
(6)
Aamiin, matur nuwun, Pak
Kyai. Sowan kami mau
minta doa secara khusus dari
Pak Kyai dan anak-anak yatim
di sini serta para santri semuanya, agar urusan kami lancar selama di Jerman nanti kami sehat dan studi S3 saya lancar. (Shirazy, 2018: 125).
(7)
Kenapa,
Bu? Kenapa begitu tiba-tiba! Kami semua menyayangi ibu. Kami semua mengidolakan ibu. (Shirazy, 2018: 88).
In
data (5), kita deixis form is found. Kita
deixis involves the interlocutor. More clearly, when kita
use deixis, it means that the person we are saying is involved in the events
described by the speaker. In data (5) itself, kita
deixis refers to Rifa and several of her friends, including Retno, Lina, Intan,
and Ika.
Furthermore,
in data (6) and (7), kami and kami semua
are the first plural deictic forms. Kami deixis refers to the characters
Mrs. Ririn and Mr. Giri. As for deixis, kami semua refer to the character Rifa
and her friends in the class. Data (6) describes the conversation between Mrs.
Ririn, who also represented her husband, Mr. Giri, that they asked for special
prayers from Mr. Nur and the orphans, so that their affairs while they were in
Germany would run smoothly and they would be healthy. Data (7) describes the
communication events narrated by Rifa. He told Mrs. Ririn that they all really
loved and idolized Mrs. Ririn.
If
examined, there are different meanings between kami use of deixis and kami
semua. Kami deixis was chosen because the
speaker wanted to convey to his interlocutor that the person asking for prayers
from Mr. Kyai and the orphans was not only himself, but also his husband, Mr.
Giri. This is because kami deixis can be said by speakers with only one
person nearby. This is different from the use of deixis kami semua which shows the affirmation of a larger number or
the choice of deixis we all usually have the aim of indicating a large number
of actors. As for kami semua deixis,
in the context of data (7) we consist of many people, namely Rifa's classmates.
Therefore, kami deixis and kami semua show
the definition that the speech partner or interlocutor does not participate in
the events narrated in an utterance.
Second
Person Singular Deixis
The
singular second person deixis found in the novel is the form of deixis kamu, kau, and -mu. The following is
data that describes these forms of deixis.
(8)
Katanya pertukaran
pelajar di Amerika, kok
kamu sampai Eropa segala, Nduk?
tanya pak Mustain. (Shirazy, 2018: 16).
(9)
Hei, curang,
buka dong, ojo kurang asem kita pengin tahu
kau dapat kampus
mana? sengit Retno. (Shirazy,
2018: 28).
(10)
Lihat sendiri. Tamumu sedang istirahat di kamarmu. Maafkan ummi, terpaksa ummi letakkan di kamarmu, soalnya paling layak, ya kamarmu (Shirazy, 2018: 111).
In
data (8), the deixis form kamu is found. Kamu
deixis in data (8) refers to Rifa. There Mr. Mustain was seen asking Rifa about
her doing a student exchange to America, but also to Europe. Kamu choice
of deixis in data (8) shows that there is a close communication relationship
between Mr. Mustain and Rifa. This deixis was chosen because in a
conversational situation it is neutral, neither formal nor official.
Furthermore,
in data (9), the second person singular deictic form of kau is found.
The deixis kau in data (9) refers to Lina. Data (9) is in the form of a
fierce statement as well as a question from Retno to Lina. According to Retno,
Lina cheated because all her friends had opened the gifts given by Rifa, except
for her.
As
for data (10), the second person singular deictic form -mu is found. The
-mu deixis in data (10) refers to Rifa. Data (10) is Mrs. Rifa's
response or answer to the question about who her guests are. The response was
that Rifa's guest was resting in her room, and according to her, Rifa's room
was the most suitable for her guest. The use of -mu deixis in data (10)
shows the close relationship between a mother and her child.
Second
Person Plural Deixis
The
plural second person deixis found in the novel is a form of kalian
deixis. The following is data that describes this form of deixis.
(11)
Kaos lengan
panjang spesial untuk kalian berempat.
Rifa beli langsung dari kampus-kampus terkenal dunia yang
pernah Rifa singgahi. (Shirazy, 2018: 28).
(12)
Aku ingin
seperti kalian. Merasakan
kenikmatan yang kalian rasakan.
(Shirazy, 2018: 127).
In
data (11) and (12) there is second person deixis plural form kalian. Kalian
deixis in data (11) refers to the characters Retno, Lina, Intan, and Ika. The
speaker in data (11) is Rifa, who is their close friend who has just returned
from America. As for kalian deixis in data (12), it refers to Rifa and
Louise, in this case Fiona wants to be like them, to feel the pleasure that
they (Muslims) do.
Third
Person Singular Deixis
The
third singular person deixis found in the novel is the form of deixis dia, beliau, ia, and -nya. The
following is data that describes these forms of deixis.
(13)
Nggak ada gunanya bicara
sama dia. Sudah yang
sabar saja, Rif. (Shirazy, 2018: 74).
(14)
Beliau
tidak mau disebut kyai. Panggil beliau Pak Nur saja, Bu.
(Shirazy, 2018: 91).
(15)
Lihat nenek itu, sosis
yang ia makan rasanya
enak banget, yah,
gumam Lina melihat nenek berambut pirang menikmati sosis panggang. (Shirazy, 2018: 173).
(16)
Aku akan
datangi rumahnya dan
minta penjelasan. (Shirazy, 2018: 75).
In
data (13) deixis dia is found. Dia
deixis in data (13) refers to the character Arum. Data (13) describes the
character Lina who convinces Rifa that there is no point in talking to Arum.
Furthermore, in data (14), the form of beliau
deixis is found. Beliau deixis in data (14)
refers to Mr. Nur. Beliau choice of
deixis in data (14) is based on his expression of respect for people in a
higher position than himself. In the context of data (14), Rifa's father's
position is certainly much higher than Rifa. Therefore, it is appropriate for a
child to raise his name to his father. In data (15), the deixis form ia is found. The deixis ia
data (15) refers to the figure of a blonde grandmother who is eating grilled
sausages which Lina can see from a distance. As for data (16), the deictic form
is -nya found. The deixis -nya in data (16) refers to the character Arum. Arum is
a character who really hates Rifa. Therefore, Rifa wanted to resolve the
misunderstanding between them by going to Arum's house and asking for an
explanation.
Third
Person Plural Deixis
The
plural third person deixis found in the novel is mereka
form of deixis. The following is data that describes this form of deixis.
(17)
Tapi mereka
maju banget yah, seratus universitas terbaik di
dunia Amerika yang mendominasi. (Shirazy,
2018: 33).
(18)
Kan Abah sudah tolong mereka,
Abah sudah kasih uang Rp500
ribu. (Shirazy, 2018:
122).
In
data (17) and (18), the plural third person deictic form is mereka
found. Mereka deixis in data (17) refers
to Americans who are famous for being a developed country and having the best
universities which are very popular in the world. Mereka
deixis in data (18) refers to Mrs. Marti and Darmijan.
The two people were previously helped by Rifa's father. Because Mrs. Marti's
child (Darmijan) was hospitalized.
The
Function of Persona Deixis in the Novel Merindu Baginda
Nabi by Habiburrahman El Shirazy
Based
on the forms of personal deixis found, various functions of personal deixis can
be identified. These deictic functions include: referential function, emotive
function, and conative function. The functions of persona deixis will be
explained as follows.
Referential
Function
The
referential function is a language function that is determined by context
factors and is related to the language that symbolizes the referent (Baryadi, 2020:50). Third person deixis contains a
referential function because it refers to someone outside the speaker and
speech partner. The following data describes the referential function in third
person deixis
(19)
Oh, begitu
ya, pendapat dia. (Shirazy, 2018: 31).
(20)
Mereka
punya dua anak perempuan
yang jarak usianya jauh. (Shirazy, 2018: 17).
Dia deixis in data (19) has a clear reference, namely the
character Arum or Arum Saradewi. The hidden context
behind the statement in data (19) is Oh, begitu
ya, pendapat Arum. Arum
becomes someone who is discussed in the speech, which means Arum's position is
outside the speaker and speech partner.
In data (20), mereka
deixis also has a clear reference, namely Mr. Bill Edwards and Mrs. Barbara.
They were Rifa's foster family while she was in America. Mereka
deixis in data (20) contains a referential function because it contains a very
clear context, namely two people who were Rifa's foster family when she was in
America. Mr. Bill Edwards and Mrs. Barbara contained in mereka
deixis are outside the speaker and also the interlocutor.
Emotive
Function
The emotive function is the function of language to
express emotions or feelings, for example joy, sadness, pleasure, annoyance,
fear, and so on (Masruro et al., 2021: 112). This
function is that the speaker conveys emotions or attitudes in his speech. Thus
the emotive function focuses on the speaker's feelings. The emotive function is
inherent in first person deixis. The following data shows this function.
(21)
Udah,
Mas Hery nggak usah ikut-ikut. Ini urusan aku sama dia. Aku nggak sudi anak kampungan
ini menginjak rumah ini. (Shirazy,
2018: 77).
(22)
Aku harus
bawa papi dan mami ke sini! Harus! Mereka akan menyesal
kalau seumur hidupnya belum pernah lihat keindahan
ciptaan Tuhan di Bromo! ujar
Fiona. (Shirazy, 2018: 140).
In
data (21), it appears that by using the deixis aku, it can be seen that
the character, namely Arum, is feeling very angry or upset towards Rifa who
came to his house. He feels that other people should not interfere in his
affairs and he doesn't want Rifa to be in his house.
The
same thing can also be seen in data (22), the use of decis
aku tends to describe the speaker's obligation, in this case it is Fiona
who states her obligation to take her father and mother to see the beauty of
Bromo.
Conative
Function
According
to Jakobson in Nusantari & Rokhman
(2016:64) the conative function is a language function that is used with the
intention of getting the person speaking to do something. The conative function
relies on the speech partner or recipient. The conative function is inherent in
second person deixis. The following data describes this function.
(23)
Coba kamu
hitung di sekitar masjid ada berapa orang lulusan pesantren besar berapa orang sarjana agama, berapa orang lulusan Timur Tengah? Coba kamu
hitung, Nduk. Yang kamu tahu saja.
(Shirazy, 2018: 54).
(24)
Fifi, segera
kau mandi. Basahi semua
dari ujung rambut sampai ujung
kaki. Agak cepat! (Shirazy,
2018: 131).
In
data (23), the deixis kamu uttered by the
speaker requires the interlocutor to count people who graduated from large
Islamic boarding schools, religious scholars and Middle Eastern graduates who
are around the mosque. This shows that the conative function always requires
the interlocutor to count the people in question as desired by the speaker. The
speaker in context (23) is Pak Nur, while kamu
deixis refers to the character Rifa who was at the Darus Sakinah Islamic
Boarding School at that time.
In
data (24), the speaker chooses to use the deixis kau and this presents a
demand for the interlocutor to immediately do what the speaker orders. The
speaker in data (24) is Rifa. He ordered Fifi alias Fiona to immediately take a
shower and wet his entire body from head to toe. In the end, the speech partner
does what the speaker tells him to do.
DISCUSSION
Based
on the results of research on the novel Merindu Baginda
Nabi by Habiburrahman El Shirazy,
it was found that the novel contains various forms of persona deixis. The
variations in the form of personal deixis in question are: (1) single first
person deixis identified as 71 data, consisting of the deixis saya, aku, -ku,
and ku-; (2) 31 data were identified
for plural first person deixis, consisting of the deixis kita,
kami, and kami semua; (3) single second
person deixis identified as 45 data, consisting of kamu,
kau, and -mu; (4) plural second person deixis identified as 10
data, consisting of kalian deixis; (5) 31 data of singular third person
deixis were identified, consisting of deixis dia,
beliau, ia,
and -nya; and (6) plural third person deixis
was identified as 9 data, consisting of mereka
deixis. The functions of persona deixis include: (1) referential function,
attached to the third person deixis identified as 40 data; (2) emotive
function, attached to the first person deixis
identified with 102 data; and (3) conative function, attached to second person
deixis, identified as 55 data.
CONCLUSION
Based on
the research that has been carried out, it can be seen that the novel Merindu Baginda Nabi by Habiburrahman El Shirazy predominantly uses the form of first
person singular deixis and the function of personal deixis in the form
of an emotive function because the author tends to write speech that has the
role of the speaker and focuses more on the feelings or attitudes of the
speaker in in his speech.
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